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Medieval manuscripts combining multiple languages, whether in fusion or in collision, provide tangible evidence for linguistic and cultural interactions. Such encounters are documented in this volume through case studies from across Europe and Asia, all the way from Ireland to Japan, exploring the creativity of medieval language use as a function of cross-cultural contact and fluidity in this key period of nation-formation (9th-14th centuries CE).
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Medieval manuscripts combining multiple languages, whether in fusion or in collision, provide tangible evidence for linguistic and cultural interactions. Such encounters are documented in this volume through case studies from across Europe and Asia, all the way from Ireland to Japan, exploring the creativity of medieval language use as a function of cross-cultural contact and fluidity in this key period of nation-formation (9th-14th centuries CE).
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Medieval manuscripts combining multiple languages, whether in fusion or in collision, provide tangible evidence for linguistic and cultural interactions. Such encounters are documented in this volume through case studies from across Europe and Asia, all the way from Ireland to Japan, exploring the creativity of medieval language use as a function of cross-cultural contact and fluidity in this key period of nation-formation (9th-14th centuries CE).
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Der Band untersucht die komplexen Beziehungen zwischen Hymnus und Gebet in Mittelalter und Früher Neuzeit. Der Fokus liegt auf den vielfältigen Adaptationen lateinischer Hymnen und Sequenzen für den Gebrauch in der volkssprachlichen Andacht. Wie verhalten sich Hymnus und Gebet gattungstypisch zueinander? Welche Formen und Funktionen nehmen volkssprachliche Bearbeitungen liturgischer Lieder in ihren jeweiligen pragmatischen Umgebungen an? Die Fallstudien, die dieser Band versammelt, loten das Spektrum des Gattungs- und Gebrauchswechsels auf dem Weg vom Hymnus zum Gebet aus. Sie analysieren Phänomene des Medienwechsels, Spezifika der Überlieferungsträger und Überlieferungskontexte sowie die poetologischen Innovationen der volkssprachlichen Übertragungen. Weitere Aspekte, auf welche die mittelhochdeutschen, mittelniederdeutschen und mittelniederländischen Quellen hin untersucht werden, betreffen das Verhältnis von Liturgie und Volkssprache, Öffentlichkeit und Privatheit, Mündlichkeit und Schriftlichkeit sowie Gesang und Lektüre. Der interdisziplinär ausgerichtete Sammelband richtet sich nicht nur an die mediävistische Germanistik, sondern auch an die Liturgie-, Musik- und Kunstwissenschaft. This volume brings together studies on the diverse ways that the genres and usage of hymns and sequences transformed in the middle ages and early modern period, taking them from being Latin liturgies to becoming vernacular meditations.
Liturgy. --- codicology. --- Hymns --- Spiritual life --- Theology --- History and criticism. --- Christianity --- History. --- History --- Life, Spiritual --- Religious life --- Spirituality --- Hymnody --- Hymnology --- Church music
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Medieval books that survive today have been through a lot: singed by fire, mottled by mold, eaten by insects, annotated by readers, cut into fragments, or damaged through well-intentioned preservation efforts. In this book, Michelle Warren tells the story of one such manuscript—an Arthurian romance with textual origins in twelfth-century England now diffused across the twenty-first century internet. This trajectory has been propelled by a succession of technologies—from paper manufacture to printing to computers. Together, they have made literary history itself a cultural technology indebted to colonial capitalism. Bringing to bear media theory, medieval literary studies, and book history, Warren shows how digital infrastructures change texts and books, even very old ones. In the process, she uncovers a practice of "tech medievalism" that weaves through the history of computing since the mid-twentieth century; metaphors indebted to King Arthur and the Holy Grail are integral to some of the technologies that now sustain medieval books on the internet. This infrastructural approach to book history illuminates how the meaning of literature is made by many people besides canonical authors: translators, scribes, patrons, readers, collectors, librarians, cataloguers, editors, photographers, software programmers, and many more. Situated at the intersections of the digital humanities, library sciences, literary history, and book history, Holy Digital Grail offers new ways to conceptualize authorship, canon formation, and the definition of a "book."
Arthurian romances --- Codicology --- Digital humanities. --- Literature and technology. --- Manuscripts, Medieval --- Manuscripts --- Digitization. --- Technological innovations. --- Arthurian romance. --- book history. --- digital humanities. --- libraries. --- media studies. --- medieval literature. --- medievalism. --- technology.
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Articles and book reviews on topics relating to research, libraries, archives and publishing in and on Africa, and in African Studies.
Bibliography. --- Library materials --- Publishers and publishing --- Africa. --- Africa --- Archival resources --- Library collections (Materials) --- Materials, Library --- Library resources --- Book lists --- Lists of publications --- Publication lists --- Documentation --- Information resources --- Abstracts --- Books --- Codicology --- Library science --- Eastern Hemisphere
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This Element examines the trade in rare books and manuscripts between Britain and America during a period known as the 'Golden Age' of collecting. Through analysis of contemporary press reports, personal correspondence, trade publications and sales records, this study contrasts American and British perspectives as rare books passed through the commercial market. The aim is to compare the rhetoric and reality of the book trade in order to assess its impact on emerging cultural institutions, contemporary scholarship and shifting notions of national identity. By analysing how markets emerged, dealers functioned and buyers navigated the market, this Element interrogates accepted narratives about the ways in which major rare book and manuscript collections were formed and how they were valued by contemporaries.
Book industries and trade --- Manuscripts --- Rare books --- History --- Bibliography --- Book rarities --- Books --- Rare library materials --- Codices --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Book trade --- Cultural industries --- Manufacturing industries
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Medieval manuscripts are our shared inheritance, and today they are more accessible than ever—thanks to digital copies online. Yet for all that widespread digitization has fundamentally transformed how we connect with the medieval past, we understand very little about what these digital objects really are. We rarely consider how they are made or who makes them. This case study-rich book demystifies digitization, revealing what it's like to remake medieval books online and connecting modern digital manuscripts to their much longer media history, from print, to photography, to the rise of the internet. Examining classic late-1990s projects like Digital Scriptorium 1.0 alongside late-2010s initiatives like Bibliotheca Philadelphiensis, and world-famous projects created by the British Library, Corpus Christi College Cambridge, Stanford University, and the Walters Art Museum against in-house digitizations performed in lesser-studied libraries, Whearty tells never-before-published narratives about globally important digital manuscript archives. Drawing together medieval literature, manuscript studies, digital humanities, and imaging sciences, Whearty shines a spotlight on the hidden expert labor responsible for today's revolutionary digital access to medieval culture. Ultimately, this book argues that centering the modern labor and laborers at the heart of digital cultural heritage fosters a more just and more rigorous future for medieval, manuscript, and media studies.
Codicology --- Digital humanities --- Manuscripts, Medieval --- Technological innovations --- Digitization --- John Lydgate. --- Thomas Hoccleve. --- digital humanities. --- digital imaging. --- digitization. --- medieval manuscripts. --- Digital humanities. --- Digitization. --- Technological innovations. --- Manuscrits médiévaux --- Codicologie --- Humanités numériques. --- Numérisation. --- Innovation.
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Calligraphie islamique. --- Écriture arabe. --- Inscriptions arabes. --- Design architectural. --- Codicologie. --- Islamic calligraphy. --- Writing, Arabic, in art. --- Inscriptions, Arabic. --- Architectural design. --- Codicology --- Afrique du Nord --- Al-Andalus. --- Africa, North --- Andalusia (Spain) --- Antiquities. --- History --- History.
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Through the application of scientific methods of analysis to a corpus of medieval manuscripts found in the Cairo Genizah, this work aims to gain a better understanding of the writing materials used by Jewish communities at that time, shedding new light not only on the production of manuscripts in the Middle Ages, but also on the life of those Jewish communities.
Archaeological chemistry. --- Cairo Genizah. --- Codicology. --- Jews --- Judaism --- Manuscripts, Hebrew. --- Writing materials and instruments. --- History --- Manuscripts. --- Writing --- Office equipment and supplies --- Hebrew manuscripts --- Religions --- Semites --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Manuscriptology --- Bibliography --- Manuscripts --- Genizah --- Manuscripts, Hebrew --- Analytical chemistry --- Archaeology --- Materials and instruments --- Religion --- Methodology --- Judaism: sacred texts
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